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Essays on Film

Thought-Provoking Reflections on Cinema

Delve into the deeper layers of cinema with our curated collection of film essays. From philosophical interpretations to cultural critiques, these in-depth explorations go beyond the surface to analyze themes, storytelling techniques, and the impact of film on society. Whether examining classic masterpieces or contemporary works, our essays provide fresh perspectives for cinephiles and scholars alike.

Sigourney Weaver speaking at a Comic Con panel

Essays on Film

Ripley 5.0: Opportunities and Challenges of a Return

Promotional still of Sigourney Weaver as Ellen Ripley, used as the featured image for the Philopulse article “Ripley 5.0 – Opportunities and Challenges of a Return.” The article explores the potential narrative and production directions of a future Alien sequel.

Essays on Film

 How Well Do We Really Know Our Friends and Neighbors?

"Your Friends & Neighbors" deftly unravels the delicate balance between trust and suspicion in suburban life. As facades crack and secrets emerge, the series asks: How well do we really know those around us—and what risks are we willing to take for genuine connection?

Daredevil/Matt Murdock (Charlie Cox) in Marvel Television's DAREDEVIL: BORN AGAIN, exclusively on Disney+. Photo by Giovanni Rufino. © 2025 MARVEL.

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“Daredevil: Born Again”, Season 1, Episode 5: “With interest”

In "Daredevil: Born Again" Episode 5, Matt Murdock faces a pivotal moment that tests both his moral compass and his resilience. As tensions escalate across New York, unexpected alliances and betrayals force Daredevil to confront his deepest fears — without knowing if the law or the mask will prevail.

Frank Castle stands in a dim basement, clutching a metal coffee pot with a somber expression.

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“Daredevil: Born Again”, Season 1, Episode 4: “Sic Semper Systema”

What happens when the justice system becomes the threat? Episode 4 of Daredevil: Born Again explores a city spiraling into chaos—through murder, betrayal, and a killer who turns blood into art. Our in-depth analysis of Sic Semper Systema unpacks one of the show’s most philosophically charged and haunting chapters.

A diverse group of characters, including a jazz musician, puppets, a zombie, and independent filmmakers, ride a whimsical red toy train through a surreal, hand-drawn landscape.

Essays on Film

Inbetweening: The Struggle for Creative Survival

“Inbetweening” is a surreal, genre-blending indie film about Eric Linson, a filmmaker torn between survival jobs and his creative dreams. Fusing reality with hallucination, music, puppetry, and animation, the story becomes a raw, humorous, and moving portrait of mental resilience, identity, and artistic perseverance in the face of endless obstacles.

Masked vigilante wearing a white suit and hood in a dimly lit street at night. White Tiger in Daredevil

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“Daredevil: Born Again”, Season 1, Episode 3: “The Hollow of His Hand”

In Episode 3 of Daredevil: Born Again, courtroom tensions escalate as Matt Murdock fights not only for his client but for his own moral compass. Our in-depth analysis explores the psychological layers of the story and the rising threat posed by a new breed of vigilantes.

A tall tower of human skulls with black spikes protruding, silhouetted against storm clouds and a red biohazard symbol.

Essays on Film

“28 Years Later”: Zombies, Patriarchy, and the Fragile Search for Meaning

“28 Years Later” goes beyond the zombie genre—an intense exploration of patriarchy, trauma, and humanity in a fractured world. Why Spike’s journey matters to us all.

Human

Charming Perpetrators – A Psychological Deconstruction of Netflix’s “You”

Netflix’s “You” isn’t just a thriller—it’s a dark psychological study of obsession disguised as love. This essay examines how the series manipulates viewer empathy, exposes toxic relationship patterns, and mirrors our digital culture’s unsettling complicity. A wake-up call about charm, control, and the red flags we keep ignoring.

A Bloater attacks in the snowy streets of Jackson in The Last of Us Season 2 Episode 2

Essays on Film

Through the Valley – The Last of Us Season 2, Episode 2 (Analysis)

"Through the Valley" offers one of the series' most devastating hours, where emotional trauma and philosophical dilemmas collide head-on. Joel and Ellie face the crumbling foundations of their relationship, Abby forces a brutal moral reckoning, and Jackson’s fragile sanctuary is shattered. Existential dread, guilt, and vengeance shape every action, turning survival itself into a tragic, irreversible spiral. This episode leaves no soul untouched—and no future certain.

Ellie holds a Flashlight in the dark, looking alert and tense.

Essays on Film

Future Days – The Last of Us Season 2, Episode 1 (Analysis)

A profound analysis of “The Last of Us” Season 2, Episode 1. Exploring themes of trauma, truth, identity, and morality through Joel and Ellie’s fractured bond, this essay blends psychological depth, philosophical insight, and cultural critique—illuminating the emotional and ethical complexity behind the post-apocalyptic drama’s stunning narrative.

Joel from The Last of Us looks over his shoulder, showing a battered and determined face.

Essays on Film

The Last of Us: Origin Story Behind the Game That Changed Everything

As The Last of Us returns with a new TV season, we revisit the unlikely origins of a game that redefined storytelling. From a failed student pitch to a cultural landmark, discover how Neil Druckmann’s vision and Naughty Dog’s daring approach changed gaming forever.

Side-by-side comparison of Mikey Madison in Anora and Demi Moore in The Substance, both wearing red.

Essays on Film

Analysis: Why “Anora” and Mikey Madison Triumphed at the Oscars Over “The Substance” and Demi Moore

Anora swept the Oscars with surprise and substance, beating out the polarizing The Substance. This in-depth analysis explores how thematic relevance, audience accessibility, and Mikey Madison’s grounded performance helped the film triumph over Demi Moore’s bold but divisive role. A case study in consensus vs. provocation.